An expert is someone who knows "the tricks of the trade", a person who is so well-versed in his or her field that they can practically tell you anything about everything.
I found out this week that I am not an expert.
Last week's "flow" was a twinkie. Delicious, but oh so false. So false.
As I was reading through articles, magazines and blogs, there was this common factor among all the pictures: they were sharp all the way through. As I read more into the process of their shots, there was a common denominator. All of them were using the "Aperture Priority" setting, usually designated by an "A" or an "AV" on a camera.
The aperture of a camera determine the focal length of a shot. The smaller the aperture the more "blur" you get. For example, this shot was at a 5.4 aperture setting:
In landscape photography, the sharper the image, the more appealing it is, the more it invites you in, and the better it looks. So, with something totally new to learn, I was shot down to novice mode. I had only ever shot with a low aperture setting, because generally the "blur" of a portrait image makes for a cleaner image.
After learning how to wield this new-found power (which is harder than just twist-point-and-shoot), I got some pretty decent shots.
This image was something that I wanted to remain sharp, so I used the highest setting possible.
I like the composition of this image, but I feel like a sky would be more dramatic of a background rather the mountains. But alas, such is the life we live in Utah.
Don't get me wrong, I love mountains! Without them, we couldn't have vistas like this! I used the highest setting for this image as well. I wanted to have good lines, good composition, and use a polarizing lens to darken the colors.
I am obviously still a novice photographer and have much to learn about not only the tools but also the tricks of my trade. This new mode has given me a new mode of thinking and a new mode of shooting.
Also, Happy Halloween! This is a creepy house I passed on my drive. My daughter said, "Uh Dad, you aren't going in there right? Because I can't drive home, Jemma (my youngest) is hungry and I'm pretty sure there are witches in there." Enjoy the creepiness!
Wednesday, October 28, 2015
Wednesday, October 21, 2015
Week 4--Mixed Lighting--Can't Slow the Flow!
Flow: "the zone", a moment where a person is completely immersed in an activity due to enjoyment, and disregards time and their 3 kids in the van.
Okay, okay, I didn't disregard them, I simply answered their reoccurring question of "Dad, why are we stopping now?" and "Dad, are we done yet?" with "Hey guys, Daddy is in the flow! And you can't slow the flow!"
"Sow, the fow?" My son Cooper asks quizzically in his little 2-year-old voice. "No, no, no, no," my daughter Macey chimes in, "Stow the flow." Well, as it turns out, you can't do that either.
What started out as a simple car trip to give Mom a break from the kids turned into a major flow moment.
This week we had an incredible storm move through our valley. It created the perfect setting for mixed light. "Mixed light" is a term for a natural contrast in lights and darks. It is something that creates a dramatic landscape scene. With the rolling dark rain clouds, the breaks of sunlight, and the wet colors that rain creates, some great shots were acquired. Believe it or not, all of these shots were taken a noon (harsh mid-day light), and during an hour span. There was some flow happening. Every shot I set up seemed to go great.
This first shot was driving up the canyon. I was stopped dead in my tracks as I noticed the clouds breaking about the mountain, the lines and colors along with spotty sun-light made this a fleeting but flowing image.
In the mouth the canyon stood a tree that was late to the foliage game. Most of the other leaves had fallen with the storm, but this guy was still going strong. The sun was breaking through the clouds and lit up the tree with its already bright yellow leaves. I set my shutter-speed low, and used a tripod, to get a nice bright and dark contrast.
I found this scene out of my kid's window when I stopped to give everyone fruit-snacks. (A much deserved and needed treat.) I thought the matted leaves and the wet rocks were a different view of fall.
This next shot was a must. As I was hiking through a grove, with all my kids in tow, we stumbled upon this beautiful scene. Before they could go in and start a leaf-fight, I set up. The photo below is a "evolved" picture of the one below it. All the different reds and pinks, with the black rocks made for a gorgeous contrast that needed to be shot. I used a polarized filter, (it darkens the lens and accentuates the blues in a shot) and a low shutter speed for these two shots.
So, because of the storm the fall-foliage I was hoping for was practically gone. I read in my "Outdoor Photographer" magazine that dead and barren trees can still be interesting and dramatic. I was skeptical, my schema was more toward colors that invite you in, but I decided to try anyway. (I was in the flow remember? I couldn't go wrong!) When I looked at this photo I was still unimpressed but my wife loved this picture when I showed her, so that made it blog worthy! And you know, like in all things in life, my wife was right! I am starting to love this shot!
It started to rain again, so we hopped back into the car and started to drive. Then I saw it, all the leaves on the road I hadn't noticed on the way up. I stopped the car, hopped out and laid on the wet, muddy, rocky, bumpy, "scungy" road. It was worth it I feel. I again used the polarizing filter to darken the scene and to provide the contrast.
I've always loved cedar trees and they themselves provide a beautiful contrast in their wood. But, I decided to steer away from that temptation to photograph the whole scene. The flat sky provided a great background for the golden grass, the rustic wood and mountain in the background.
This was the "leaving the canyon" shot. I had to take it, the flow was too powerful, too intoxicating, the addiction was too much. I needed to shoot another dramatic landscape. The recently ended rain clouds broke, lowered and lit up the summit of the mountain. I was under a still lingering dark rain cloud so it made for a dark foreground and a nice contrast with the background.
Landscape photography has never provided a flow for me like it did that day. It seems that correct environmental conditions, early success, and schema-challenging tasks create a setting for flow. Also, constructive feedback (from myself and especially my wife, Lisa) aids to feelings of flow! You can't slow the flow! Or sow the fow. Or even stow the flow!
Thursday, October 15, 2015
Week 3--Lighting
In photography there is a taught-schema that there is “good” light and “bad” light. In every photographer’s schema, you’ll find a time of day that is the “golden-hour”, a time when the light is not harsh, it is even, slightly tinted (usually “golden” because of sunsets) and it creates a perfectly lit vista. Like such…
However, schemas are meant to be updated, changed, evolved, reconstructed and that is what I hope to do. I have read some articles about using harsh mid-day lighting (usually labeled as “bad” lighting) as an advantage. (http://www.outdoorphotographer.com/how-to/shooting/b-and-w-in-harsh-light.html#.VhchcbQ-DVo) (http://digital-photography-school.com/are-you-practicing-these-5-natural-lighting-tips/) (http://digital-photography-school.com/bright-ideas-for-shooting-in-midday-sun/) Especially when you use black and white as an editing tool.
I hope that by experimenting with this lighting, I can change my semantic network of lighting. Here are 3 pictures taken during bad lighting that sort of turned out okay…
I obviously need to practice editing under this lighting circumstance but I did have a good experience, which, according to empiricism, is the first step to knowledge! The more I do it, the better I’ll know it.
Wednesday, October 7, 2015
Week 2--Tell a Story
Photographs are powerful things. Taken at the right time, in the right place, with the right elements, they can trigger episodic memories within us. Accessing our long-term memories, and calling upon past mental imagery, we can sense things when we see a photo. For example, a well-taken photo of an apple pie can cause us to remember a smell, a taste, and perhaps even (heaven knows it has happened to me before) cause us to salivate a little. A photo of a snowy vista may, even if briefly, make you feel a little cold. The photographs, in a sense, tell a story that you have already heard and resonates within you.
Telling a story though images is a great photographic concept. (http://www.outdoorphotographer.com/how-to/shooting/building-stories.html#.VgdbSLTFvVo)
Here are 4 images that I feel tell a story within me, but hopefully also within you. What episodic memories do these images trigger in you?
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